Och loads of stuff, I'm still an avid consumer of new music (though I will admit I'm a set in his ways indie/post-punk rocker).
This year I've enjoyed:
Automatic - Excess, Mitski - Laurel Hell, Mattiel - Georgia Gothic, Orville Peck - Bronco, Wet Leg - Wet Leg, Yard Act - The Overload, Weird Nightmare - Weird Nightmare, Thick- Happy Now,
Warmduscher - At The Hotspot, Wooze - The Magnificent Eleven, The Linda Lindas - Growing Up, The Chats - Get Fucked, Thee Oh Sees - A Foul Form, Metric - Fortmentera, Viagra Boys - Cave World, Horsegirl - Versions of Modern Performance, Cola - Deep in View, Black Country New Road - Ants From Up There, Panic Shack - Baby Shack....
Not to mention some quality albums by old timers this year (Elvis Costello and Half Man Half Biscuit put out great albums).
If I had to pick a favourite artist in the last decade or so I'd probably pick Mitski. She's got hints of most of my all time favourite female singer songwriters running through her work - the thatricalicality of Kate Bush, the raw lyrics of Tori Amos, the genre hopping of Bjork. She can go from big slabs of mood music (Geyser, Working For The Knife) to outwright pop (The Only Heartbreaker, Your Best American Girl) with ease.
My missus and I saw her in the basement of Stereo in 2016 and seeing her get incrementally more successful over the last few years to a point where she was headlining the Other Stage at Glasto and, weirdly, supporting Harry Styles in stadiums in the summer has been a joy.